What Looking At Lucian Freud’s Paintings Does To The Way You See People

James Polchin: “I was much more attentive to the exposed flesh around me, to the blemishes and rashes, the discoloration and mutations of skin tones of those I passed. A young woman’s arm was blossoming a small purple and hazel, clover-shaped bruise near her shoulder. An attractive man’s razor burn ran along the side of his neck, a contrast to the smooth sliver of a red and blue tattoo that crawled beneath his shirt sleeve.”