“[She] immortalised a fictional spy often referred to as the ‘Soviet James Bond’; in fact, Maxim Isayev had more in common with the screen depictions of John le Carré’s quick-witted George Smiley than Ian Fleming’s explosive hero.”
“[She] immortalised a fictional spy often referred to as the ‘Soviet James Bond’; in fact, Maxim Isayev had more in common with the screen depictions of John le Carré’s quick-witted George Smiley than Ian Fleming’s explosive hero.”