“Less noticed by critics [praising the film today] is something that was obvious in 1941: Many of the film’s signature devices were motifs developed by [Orson] Welles and his Mercury Theatre troupe during their years in radio.”
“Less noticed by critics [praising the film today] is something that was obvious in 1941: Many of the film’s signature devices were motifs developed by [Orson] Welles and his Mercury Theatre troupe during their years in radio.”