“All this stuff was way beyond surrealism. It was deliberately indiscriminate weirdness: the ordinary was made to seem in some way excessively other, like stage props for a chaotic rather than reasoned reality. It was almost pose-modern.”
“All this stuff was way beyond surrealism. It was deliberately indiscriminate weirdness: the ordinary was made to seem in some way excessively other, like stage props for a chaotic rather than reasoned reality. It was almost pose-modern.”