The two stars of choreographer Lynne Taylor-Corbett’s new version of the Brecht-Weill piece talk about creating the piece; Kent explains why Balanchine’s 1958 version, in which she starred, is unrecoverable.
The two stars of choreographer Lynne Taylor-Corbett’s new version of the Brecht-Weill piece talk about creating the piece; Kent explains why Balanchine’s 1958 version, in which she starred, is unrecoverable.