“Why are audiences, artists, and production teams ready to jettison their usual sense of drama when it comes to opera? … [W]hy is it that we tend to be indulgent of opera not meeting the same standards as a stage play?”
“Why are audiences, artists, and production teams ready to jettison their usual sense of drama when it comes to opera? … [W]hy is it that we tend to be indulgent of opera not meeting the same standards as a stage play?”