Why Is Klimt Worth $135 Million?

“With Picasso, Van Gogh, Monet – and now with Francis Bacon – you know exactly how the attraction works and why the auction records are blown. These are familiar giants. But Klimt was a Viennese petit maître. He didn’t create an unstoppable movement. He didn’t change art. Until Lauder splashed out on him, Klimt was a beautiful but essentially minor Viennese secret. So, why is he so valuable?”

Hay-on-Wye Lit Festival – Idylic-Gone-Dumb

“You might imagine that Hay is a lovely day out for all the family, a chance for children to meet the authors they love and, conversely, an opportunity for writers to meet the people who actually read their books. Of course, it’s no such thing. Mainly it’s a chance for ramblers and hippies to gather in a field and convince themselves that everyone thinks the same way that they do.”

Mexico’s Musicians Under Attack

Fifteen have been murdered so far. “The attacks on musicians come amid a wave of bloodshed in Mexico, which has usurped Colombia as the drug trafficking capital of the Americas, unleashing violent turf wars and fighting with police. For their part, Mexican musicians have been increasingly singing about cocaine, corpses and Kalashnikovs alongside their traditional tales of poverty and lost love.”

Russia’s BritArt Passion

“Russia’s industrial oligarchs are the new force in the multibillion-pound global art market. Behind the scenes of the Russian art revolution are a host of familiar British names, all connected in some way with Damien Hirst, one of the world’s most successful – in monetary terms – living artists.”

Broadway – Dreaming Big

“I’m not suggesting that size alone matters, obviously. But if the American theater is to remain an aesthetically robust enterprise, a vital step may be removing the invisible shackles from the imaginations of playwrights, making it natural — making it possible — for them to dream huge once again.”