Building-Sized Music

“David Byrne, who interprets the term artist with marvelous expansiveness, doesn’t actually play the building in Playing the Building; it’s visitors who make the sounds. He made the architecture orchestral–feeding air into flutelike heating pipes, triggering hammers on cast-iron columns, and vibrating motors against ceiling beams as if drawing a bow across the strings of a giant fiddle.”

A Call To Reform Dancers’ Pay On London’s West End

“If you stay in a show, you get a percentage rise every year, that’s what they do. They give you so much for staying a second year or third year. But as dancers get older and older, every time they go to a new show, they start off at square one again. It is quite hard for them. There does not seem to be any provision for experienced dancers as they get older.”

A Future In Which Technology Will Fix Everything

Ray Kurzweil “sees biology, medicine, energy and other fields being revolutionized by information technology. His graphs already show the beginning of exponential progress in nanotechnology, in the ease of gene sequencing, in the resolution of brain scans. With these new tools, he says, by the 2020s we’ll be adding computers to our brains and building machines as smart as ourselves.”

The Book Collection That Ate Me

“I recognize that we now have many ways to convey, store, and reproduce the sorts of matter that formerly were monopolized by books. I like to think that I’m no bookworm, egghead, four-eyed paleface library rat. I often engage in activities that have no reference to the printed words. I realize that books are not the entire world, even if they sometimes seem to contain it. But I need the stupid things.”

When The Recording Company Is Your Agent Too (Oh, Oh!)

So Universal wants to be both the recording company and the artist manager. But “it is worrisome for presenters and management to be the same. Managers always think they’re the artist. They think they own the artist, which they don’t. They work for the artist. The artist has free choice. The artist can leave. The commercial interests want the stadium appearances, the glamour. They don’t want the artist to do what the artist does.”

The Decline Of Radio?

“Just when radio cries out for creative revival, it is instead slipping into a disgruntled decline. Today, hardly anyone turns on the radio expecting to be lured into intimate obsessions with voices that return each night, baring their souls and insisting on a relationship with the listener.”