New Musicals Bring In Different Audiences To Broadway

“Has Broadway finally found the younger, more ethnically diverse audience it’s been seeking for years? In a season when blockbuster musicals like “Young Frankenstein” and “The Little Mermaid” were dismissed by critics, the remarkable success of “In the Heights” (13 Tony nominations) and “Passing Strange” (seven nominations) suggests the quest for new audiences is gaining momentum.”

Police State? Critics Blast Proposed New Canadian Copyright Law

“Bill C-61 spells out consumers’ rights in how they are allowed to copy media and clears up some grey areas. Existing laws do not specifically allow consumers to copy books, newspapers, periodicals, photographs, videocassettes and music. The new bill would expressly allow them to make one copy of each item per device owned, such as a computer or MP3 player. The bill would also expressly allow consumers to record television and radio programs for later viewing.”

Post Mortem For Gone With The Wind

“The show we’re now performing is not the one the critics saw, but we’re still damned by those terrible reviews. Just as the owners of the Titanic didn’t anticipate the need for extra lifeboats – why, when their ship was deemed unsinkable? – nobody thought we’d need a money chest to keep Gone With the Wind afloat. We planned for every eventuality but failure.”

In The Clubs – A New Model For Classical Music?

“Nonclassical, run by Gabriel Prokofiev, DJ, producer, composer and grandson of the great Sergei, is a monthly classical club night that mixes live performances from instrumentalists and singers with sets from electronica DJs. Talking during the performances is not frowned upon – in fact, it’s positively encouraged – and drinks are served at the bar throughout the night.”