Month: April 2005

Against Good Books

“Today’s corporate weather-makers hate “book-lovers”, as they sneeringly refer to them. They despise curious readers committed to the range and quality of what they buy, such as those who bother with books coverage in intelligent magazines or newspapers. Instead, extra resources will now go into snaring the fitful attention of affluent but apathetic semi-readers who, deep down, believe that, in the deathless words of Philip Larkin’s “A Study of Reading Habits”, “Books are a load of crap.” Ah, but those non-readers made an exception for The Da Vinci Code. So let’s have much more of the same brain-shrinking junk.”

Morgan Library Works On Makeover

The Pierpont Morgan Library is undergoing an image makeover to match its $102 million building makeover. “Although the library has long had a vigorous program of exhibitions, organizing shows like “Master Drawings From the Hermitage and Pushkin Museums” that have attracted tens of thousands of visitors, its very name has long been misleading. Even some New Yorkers assume that it is a run-of-the-mill library, rather than the repository of a world-class collection of old master drawings and prints, medieval and Renaissance illuminated manuscripts, and literary, historical and music manuscripts, in addition to rare books. Many believe that it is a private institution closed to the uninvited.”

Why You Have To Be Smart To Watch Today’s TV

“For decades, we’ve worked under the assumption that mass culture follows a path declining steadily toward lowest-common-denominator standards, presumably because the ”masses” want dumb, simple pleasures and big media companies try to give the masses what they want. But the exact opposite is happening: the culture is getting more cognitively demanding, not less. You have to integrate far more information than you would have a few decades ago watching a comparable show. Beneath the violence and the ethnic stereotypes, another trend appears: to keep up with entertainment like ”24,” you have to pay attention, make inferences, track shifting social relationships. This is what I call the Sleeper Curve: the most debased forms of mass diversion — video games and violent television dramas and juvenile sitcoms — turn out to be nutritional after all.”

Libeskind Takes His Tower West

It doesn’t look like Daniel Libeskind’s tower for the World Trade Center site will get built. So he’s traveled the plans across the country to California. “The architect’s plans for a 37-story condo tower named “Aura” in Sacramento, California, bear a remarkable resemblance to his original design for the second-tallest building at the ground-zero site. The 430-foot tower, to rise later this year, has the same geometric design at its pinnacle, with a sharply sloping downward angle on one corner. With the exception of its balconies, the tower is strikingly familiar.”

Where Are Iraqi Artifacts?

It’s been two years since the Iraq Museum was looted. “To date, 3,000 have been recovered in Baghdad, some returned by ordinary citizens, others by the police. In addition, more than 1,600 objects have been seized in neighbouring countries, some 300 in Italy and more than 600 in the United States. Most of the stolen items are unaccounted for, but some private collectors in the Middle East and Europe have admitted possessing objects bearing the initials IM (Iraq Museum inventory number).”

National Gallery of Canada Leaks

Canada’s National Gallery is in severe disrepair. “The imposing glass and steel structure, designed by architect Moshe Safdie, opened its doors in 1989. Sixteen years later, gallery director Pierre Théberge says he can’t keep up with the cost of repairs. Currently, the gallery’s annual $45-million budget allots $1 million for repair work. ‘We would need … between $4 [million] and $5 million a year … to keep up with repairs over the next five or 10 years’.”

Copyright – A Tax On Readers?

“Copyright law is a tax on readers for the benefit of writers, a tax that shouldn’t last a day longer than necessary. What do we do? We extend the copyright term repeatedly on both sides of the Atlantic. The US goes from fourteen years to the author’s life plus seventy years. We extend protection retrospectively to dead authors, perhaps in the hope they will write from their tombs. Since only about 4 per cent of copyrighted works more than 20 years old are commercially available, this locks up 96 per cent of 20th century culture to benefit 4 per cent. The harm to the public is huge, the benefit to authors, tiny. In any other field, the officials responsible would be fired. Not here.”