Don’t Let The Orchestra Become A Museum piece

Many orchestras fumbled the move to digital, which isn’t really a surprise since they weren’t prepared. “We need to draw people in with ideas they can relate to. Why do we need to do this? Theatre, dance, cinema, the visual arts have been doing this successfully for years. Their audiences are more diverse. Orchestras are several steps behind in this respect.” – The Strad

After Losing Libel Case In Britain, Johnny Depp Is Asked To Leave The ‘Fantastic Beasts’ Franchise

Warner Bros. is recasting the role of Grindelwald for its third movie in the franchise. The British court’s decision last week “came after a trial in which Depp and ex-wife Amber Heard, 34, presented scandalous conflicting testimony about their turbulent years together — testimony that included admissions of heavy drug use by Depp and allegations of violence on both sides.” – Los Angeles Times

Penumbra Theatre Is 44, And In Middle-Age It’s Sitting Pretty Even During The Pandemic

With Ford and Mellon grants plus pledges of twice its annual operating budget from other sources, the St. Paul theatre is on firm financial footing. The artistic director says, “This allows us to dream,” while the managing director is happy that “We’re now resourced in a way that we’ve never been, so we’re getting out of grind mode.” It’s an enviable position to be in right now, but it only comes after decades of that grind. – Minneapolis Star-Tribune

How To Market To Millennials And Zoomers?

Maybe ask this guy, who tweeted that he was going to write an erotic story about the president. “He released Trump Temptations: The Billionaire and the Bell Boy, a fictional account of Mr. Trump and a male lover, on Amazon. It blew up before it was taken down, at which point Mr. Daniel released it for free on Wattpad, a self-publishing site focused on fan fiction, where it was viewed 2.3 million times.” – The New York Times

The Woman Who Built Beethoven’s Pianos

Oops, Beethoven scholars: Nannette Streicher “owned her own company — employing her husband, Andreas Streicher, a pianist and teacher, to handle sales, bookkeeping and business correspondence. But many Beethoven scholars, perhaps finding it inconceivable that an 18th-century woman could build a piano, have turned Andreas into the manufacturer and Nannette into his shadowy helpmate.” – The New York Times