Help End Sexism And Racism In Classical Music By ‘All-Naming’ All Composers

What? Here’s the (beautifully depicted) deal: “There will be a time when we’ll go to concerts again. We will buy our tickets, shuffle shoulder to shoulder down the aisle, and find our seats. The lights will dim, and the conductor will walk onto the stage to introduce the program. They might talk about Beethoven, Schumann, and Bartók. And they might talk about Alma Mahler, Florence Price, Henry Burleigh, and Caroline Shaw. Many of us, used to the conventions of classical performance, will hardly notice the difference: ‘traditional’ white male composers being introduced with only surnames, full names for everyone else, especially women and composers of color.” – Slate

The Limits Of Extreme Comedy

Well, probably not, says an expert. “Becker found that audiences tended to react to those situations along party lines: If they already believed what they were being told, they were likely to find the comedy credible. If they don’t hold the same beliefs, the opposite effect can be seen.” – CBC