Aristotle, Marx, Planet Of The Vampires, And Other Unlikely Stage Properties

Having recently seen an adaptation of Aristotle’s Poetics and a play consisting entirely of Eugene O’Neill’s stage directions – and remembering a musical version of Das Kapital and the Wooster Group’s penchant for mash-ups of classic drama and B-movies – Alexis Soloski asks readers to suggest other unlikely candidates for the stage.

Copyright And The Return Of The Literary Patron (Blame The Web)

“We’re so accustomed to thinking of copyright as the foundation of a writer’s livelihood that it’s difficult to imagine how authors could survive without it.” But back before copyright was invented, authors “made nothing from the sale of their books; their profits derived from the wealthy patron to whom the work was dedicated.” Are we headed to that model, modified for the digital age, again?