Stephen Kanner, 54, Cali-Modern Architect And Co-Founder Of L.A. Architecture Museum

He was “a third-generation Los Angeles architect known for playful yet functional modern designs who co-founded the city’s Architecture and Design Museum. … Two of his more prominent public buildings were tributes to 1950s jet-age architecture – the In-N-Out Burger on Gayley Avenue in Westwood that riffed on the company’s boomerang-shaped logo and a gas station at Slauson and La Brea avenues with a swooping canopy inspired by the nearby freeway.”

American Museum Of The Moving Image, Newly Expanded, Sets Reopening Date

“The Museum of the Moving Image in Astoria [Queens] will open its expanded and redesigned home – featuring a new glass entrance, grand staircase and lobby video wall – on January 15. … The $67 million renovation, designed by architect Thomas Leeser, added three stories – nearly doubling the square footage to 97,700 from 50,000.”

How Outdoor Theatre Plays With (Or Against) The Elements

Ben Brantley: “Ms. Nature (I believe in respecting a goddess who can keep city temperatures in the high 90s in early July) can both enhance and destroy an actor’s performance. If she’s in a good mood, she sends flaming sunsets to accompany soliloquies, makes the moon glow fully for love scenes and provides gentle winds that cause costumes to flutter attractively. When she’s unhappy, watch out.”

LA Quarterly Puts Print, And Long-Form Journalism, First

“Moments of surprise, whimsy and unconventional truth burst from the pages of Slake: Los Angeles, the new quarterly journal whose editors have essentially flipped the bird at the faster-quicker-shorter imperatives that are supposed to define 21st century media.” The fat first issue is “filled with essays, poetry, photography, short fiction, reported stories and almost no advertising. “

A Contemporary Opera, Staged In A Vacant Car Dealership

“The work took seven years to develop, runs three hours long, includes the collaboration of 21 writers and 11 composers, is performed by 21 actors and nine musicians,” and transports spectators “from scene to scene and set to set in a train of carts pulled by an electric golf cart. Those with the lower-priced tickets follow the trains on foot while dragging along their folding chairs.”