Chicago Dance Co.’s Hoped-For Arts Center Still A Hole In The Ground

“A circular concrete barrier behind a tattered chain-link fence at the corner of 47th Street and Greenwood Avenue in the Kenwood neighborhood is all there is to show for once-ambitious plans” – by the nonprofit Muntu Dance Theatre – “to remake a struggling business corridor into a hub for African-American arts and culture.”

Bea Arthur’s Final TV Gig: A PETA Ad Campaign

The late sitcom legend “was a staunch supporter of PETA’s initiatives against so-called factory farming techniques and she will be the public face of an effort in that campaign to be aimed at McDonald’s. A photograph of Ms. Arthur is to appear in the ad next to this headline: ‘McCruelty. It’s enough to make Bea Arthur roll over in her grave’.”

A 1773 Protest Poem, In A Mouse’s Voice

In the 18th-century lab of Joseph Priestley, “animals didn’t last long,” so the chemist’s “lab assistant, a young woman named Anna Barbauld, decided that Priestley should give his lab animals a little more respect.” She wrote “a protest poem” and “called it ‘The Mouse’s Petition to Dr. Priestley, Found in the Trap where he had been Confined all Night.'”

Touting Film Locations, The World Flocks To L.A.

“Reflecting the more austere climate, there were a few notable absences” from the annual Locations Trade Show, “including film commissions from South Africa and China,” yet “there were several new foreign participants eager to tout their locations and new film programs” — such as Abu Dhabi, which helpfully pointed out that it has both “modern architecture and desert islands.”

On Architecture’s Troubled Relationship With The Future

“To the extent that we are now designing brand-new cities at all, they tend to be marked more by wariness and anxiety — particularly about looming environmental disaster, terror attacks and global epidemics — than sweeping optimism. If Brasilia embraced the future, in other words, today’s cities seem to be on guard against it.”