Teacher Suspended For Selling Mary Shelley’s ‘Frankenstein’ To Students At A Loss

“Todd Friedman, a 29-year public-school veteran who teaches at Midwood High School [in Brooklyn], was put on administrative duty – and faces possible termination – after the city Department of Education slapped him with disciplinary charges. His crime: He personally ordered 102 paperback copies of the novel from a publisher last September for his Advanced Placement students.”

What Makes An American Essay ‘American’?

“The essay, in its American incarnation, is a direct outgrowth of the sermon: argumentative, insistent, not infrequently irritating. Americans, in my observation – and despite our fetish for the beauties of individuality and personal freedom – are always, however smilingly, trying to convince somebody, somewhere, of something, and our essayistic tradition bears this out.”

Pulp Fiction Will Never Die

“Mainstream literary writers — people like Anne Tyler, who I like very much — are fighting over a smaller and smaller patch of ground. And genre writers are writing with more maturity. What genre writers understand now is that when someone dies, someone is out there to mourn them. Every death has a repercussion. So there’s a maturity that wasn’t always there before. These are novels about social conscience, reflecting what’s going on in our world.”

The International Man Booker Prize Goes To A Book About A Woman Whose Vegetarianism Ruins Relationships (And Her Life)

“The novel had an unusual path to publication. Deborah Smith, a 28-year-old British translator, read a Korean edition of ‘The Vegetarian’ about four years ago when she was studying for her Ph.D., and decided to send a sample translation to a British publisher, who was won over by the first 10 pages.”

When Every Book Suddenly Had To Get Five Stars

“I was shaking my pom-poms for books. However, I wasn’t doing so because I was an industry shill, shallow, or self-interested. I failed to provide meaningful criticism, information, or recommendations because I was, like so many of my colleagues, frightened about the future of books and publishing. In desperate times, the desperate tilt at windmills.”

Print Was Never Dead, But It’s Rising Again Anyway

“Publishing, like other industries before (and since), suffered a bad attack of technodazzle: It failed to distinguish between newness and value. It could read digital’s hysterical cheerleaders, but not predict how a market of human beings would respond to a product once the novelty had passed. It ignored human nature. Reading the meaning of words is not consuming a manufacture: it is experience.”