The Art Of The Dollar Store

What happens when the Museum of Contemporary Art Detroit asks artists to make work from items found where most of America shops, with a total budget of $99? “Just like stock in a dollar shop, there’s an astonishing range of quality: Some offerings appear perfunctory and flimsy, while other works — the true bargains — thoughtfully engage the assignment.”

After A Long Legal Battle, An Austrian Court Has Ruled In Favor Of Franz West’s Children

In the hospital, West signed a document creating a foundation a few days before he died. “Those on the family’s side say that individuals with a financial stake in the estate, including Gagosian dealer Ealan Wingate, who was at the hospital during West’s final days, ‘wanted to make sure with the foundation that the heirs would not be in conflict’ with the gallery’s interests, Kerres says. As a result, ‘the lawyer did a rushed job, just writing something by hand and forgetting major parts of an agreement.'”

Public Will Finally Get To See Cornelius Gurlitt’s Hoard Of Nazi-Looted Art

“Nearly four years after news of the discovery of the trove stunned the art world and stirred outrage over the fact that German authorities had kept its existence under wraps for months, the public will finally be allowed to view about 250 works” – among them pieces by Monet, Rodin, and Maillol – “selected from more than 1,200 as part of a show to open on Nov. 3 at the Bundeskunsthalle [in Bonn].”

Rare Codex Illustrating Colonial Life In Peru Is Being Returned From Spain (Sort Of)

“The Spanish Ministry of Culture had declared that the work” – the 18th-century Codex Trujillo, also called the Codex Martínez Compañón – “is an important piece of Spanish heritage, preventing its export to Peru following its sale at auction to the Museo de Arte de Lima (MALI). The move provoked an uproar in the Latin American museum world. Now, as a solution, Spain will loan the work to Peru indefinitely without giving up ownership.”

Dallas Museum Of Art’s Mexican Modernism Show Is Having Huge Success In Latino Audience Engagement

“There was skepticism when Dallas Museum of Art director Agustín Arteaga proposed bringing a major exhibit of Mexican masterpieces here from Paris and allowing families who were not regular museum visitors to see it for free.” But the show has been a big hit, and more than half of its visitors, many of them Latino, are newcomers to the DMA. Says docent José Villanueva, “I haven’t seen this many brown people in the museum before.”