Was East German Art Nothing But Socialist-Realist Propaganda? No.

Michael Kimmelman: “The show [“Art of Two Germanys” at LACMA] makes clear that the truth was actually more complicated, as it usually is, East German art having been more varied, not always politically compliant, closer at times to what was happening in West Germany than the West German art establishment either acknowledged or bothered to notice.”

The New Radical Chic: Fairey’s Establishment Defenders

Shepard “Fairey’s arrest has spawned a debate on the concept of public art, at least art that is imposed on the public by self-important phonies who regard property rights the way some pols and rich folks do taxes: rules that should apply to everybody but them. … [T]he people who defend taggers as ‘artists’ have the same mindset as the Manhattan socialites who defended self-described revolutionaries in the 1960s. Tom Wolfe coined a term for these fools: Radical Chic.”

Beijing, Taiwan May Collaborate On Imperial Art Collection

“Divided for 60 years by war and political turbulence, the imperial art collection of China is now the focus of negotiations that could lead to at least a few of the works being exhibited together again. The director of the National Palace Museum [in Taipei, Taiwan], the repository of the cream of the 1,000-year collection, plans to travel on Saturday to Beijing, the first official visit by a director of that museum to the mainland since the Nationalists lost China’s civil war to the Communists in 1949 and retreated to Taiwan.”

China To Designer’s Estate: Return Qing Dynasty Sculptures

“China’s government today urged the estate of the late French designer Yves Saint Laurent to return two Qing Dynasty bronze sculptures scheduled for a Feb. 25 auction by Christie’s International in Paris. The two animal-heads — a rabbit and a rat — were severed from a water fountain at Beijing’s imperial Summer Palace when British and French troops plundered and burned the palace in October 1860.”