Free Museums Should Ask More Firmly For Donations

“Has free admission to our national museums and galleries become a luxury we can’t afford? … I don’t, on balance, propose that museum charges should be reintroduced – they are clearly a force for the general social good, and there are few enough of those around nowadays. But I do wonder whether institutions might be a little more aggressive about asking us to chip in.”

Asbestos At Smithsonian Subject Of Congressional Hearing

“A member of Congress said yesterday that he would hold a hearing to investigate health-and-safety allegations regarding the handling of asbestos at the Smithsonian Institution. … [National Air and Space] Museum lighting specialist Richard Pullman, 53, filed a federal whistleblower claim yesterday with the Office of Special Counsel alleging that the institution retaliated by effectively demoting him for reporting workplace-safety violations.”

In Bad Economy, Is Ethos Of Art Institute School At Risk?

“When ‘Duke’ Wellington Reiter rode into town last August, to take the reins at the School of the Art Institute of Chicago, some of the locals got a little nervous. … The scent of change was in the air.” Now Reiter has called a school-wide meeting, and some wonder “whether the projected financial crunch will become an excuse for altering the distinctive character of the school, which is known for its broad curriculum and its proud aversion to anything as restrictive and reductive as majors and grades.”

Danish Museum Resists Italy’s Bid For Artifacts’ Return

“The Italian government has successfully brokered deals with American museums and private collectors for the return of what it says are looted antiquities. But it is finding the Ny Carlsberg Glyptotek, an art museum in Copenhagen, harder to crack. … At the core of the dispute are Etruscan and Greco-Roman objects that the Glyptotek bought from Robert Hecht, an American antiquities dealer now on trial in Rome….”

$50 Apts, $10,000 Towers In Model Fund-Raising Scheme

The Queens Museum of Art’s “most famous asset is its 9,335-square-foot scale model of New York City, originally built for the 1964 World’s Fair. The Panorama of the City of New York has 895,000 structures, replicating every street, bridge and skyscraper in the five boroughs.” Under the museum’s new “Adopt-a-Building program … the panorama will evolve gradually along with the city — at least, for those who pay.”