James Taylor On Fame (And Moaning About It In Song)

“It’s a real wrenching thing to go from being a private person to being a public person, especially when you’re being autobiographical. But it’s what everyone wants – to get everyone’s attention, to have your music make a living for you, to be validated in that way. So I’m a little embarrassed that [in ‘Hey Mister, That’s Me Up on the Jukebox’] I complained about getting what I wanted so badly.”

Stephen King To US Government: Raise My &***#! Taxes Already!

“What charitable 1 percenters can’t do is assume responsibility – America’s national responsibilities: the care of its sick and its poor, the education of its young, the repair of its failing infrastructure, the repayment of its staggering war debts. … That kind of salvation does not come from Mark Zuckerberg or Steve Ballmer saying, ‘OK, I’ll write a $2 million bonus check to the IRS’.”

Getting To Know The Young Susan Sontag (Through Her Journals)

“She contemplates the kind of writer she wants to be, wondering – in a swoop of ambition and possible megalomania – how to be as good as Tolstoy. … There’s ego and insecurity and the continuous plotting of her own public face … though she’s not without an inkling of her public function and renown (from 1975: ‘My role: the intellectual as adversary’).”

William Klein, Photography Outsider, Finally Has “A Moment”

“Klein burst on to the photography scene in the early 60s with a series of books about cities – New York, Rome, Moscow and Tokyo – filled with raw, grainy, black-and-white photographs that caught the energy and movement of modern urban life with scant regard for traditional composition. The first, Life Is Good & Good For You in New York (1956), once it got published, earned him the opprobrium of both critics and other photographers alike. ‘They just didn’t get it,’ he says. ‘They thought it should not have been published, that it was vulgar and somehow sinned against the great sacred tradition of the photography book. They were annoyed for sure.'”