Joan Rivers: An Appreciation, And A Reckoning

“From the nineteen-sixties on, Rivers had been the purveyor of a harsh Realpolitik, one based on her experience: looks mattered. If you got cut off from access to men and money — and from men as the route to money — you were dead in the water. Women were one another’s competition, always. For half a century, this dark comedy of scarce resources had been her forte: many hands grasping, but only one golden ring. Rivers herself had fought hard for the token slot allotted to a female comic, yet she seemed thrown by a world in which that might no longer be necessary.”

Valery Gergiev: I Just Wanna Play Music, So Why Does Everybody Keep Bothering Me About Putin? (Oh, By The Way, Speaking Of Ukraine, …)

“People come to hear music, not to hear shouting. And to go on stage and scare Netrebko, how can the Met let this happen? If someone were to shout an anti-American slogan on the stage of the Mariinsky, it would be my fault.” The conductor then goes on to talk about Ukraine and Crimea.

“Not Indifference But Detachment” – Oliver Sacks on Learning He Has Terminal Cancer

“I feel a sudden clear focus and perspective. There is no time for anything inessential. I must focus on myself, my work and my friends. I shall no longer look at NewsHour every night. I shall no longer pay any attention to politics or arguments about global warming. … I still care deeply about the Middle East, about global warming, about growing inequality, but these are no longer my business; they belong to the future.”

“They Are, In A Way, Aliens”: Helen Mirren On The British Royal Family

“The world they live in is so beyond our understanding. You’ve never queued for anything. Ever, for anything. Every time you go in the street, the traffic is stopped for you. It’s a world you can’t imagine. They are, in a way, aliens. But inside that, they are the same flawed, insecure, vulnerable, complicated human beings we are. It’s my job to get into the person who’s inside that world.”

Looking For The Langston Hughes He Himself Worked Hard To Conceal

Hilton Als: “One of the architects of black political correctness, he saw as threatening any attempt to expose black difference or weakness in front of a white audience. … Hughes’s reluctance to reveal the cracks in the black world – which is to say, his own world – curtailed not only what he was able to achieve as an artist but what he was able to express as a man.”