São Paulo State Symphony Fires Chief Conductor John Neschling

Neschling, who over eleven years raised the orchestra from provincial status to international prominence, was dismissed in a dispute with the orchestra’s chairman, former Brazilian president Fernando Henrique Cardoso, over the search for Neschling’s successor. Yan Pascal Tortelier will serve as interim chief conductor; Neschling will get a $500K buyout, and the musicians say they’re happy to see him go.

For Chart Nerds Only: A Space For The Strictly Classical

“A new chart for ‘purely classical’ music has been launched, the Official Charts Company has announced. The specialist classical chart,” which debuts in the March issue of Gramophone, “will be based on weekly sales of recordings which are 100% classical. The OCC’s long-running combined classical albums chart requires 60% of an album’s repertoire to be classical.”

William Friedkin Pulls Out Of La Scala’s Inconvenient Truth

The filmmaker-turned-opera-director has withdrawn from the Al-Gore-slideshow-turned-hit-movie-turned-opera over “irreconcilable creative differences” with librettist J.D. McClatchy. But composer Giorgio Battistelli claims that Friedkin’s reasons are “personal, not artistic” and complains that the director cared more about special effects than the piece’s message.

Jonathan Miller All Over Again? Another Scientist Moves Into Opera Directing

“With his first-class degree in physics from Cambridge, John Fulljames could have had a brilliant academic career. Instead he chose the rockier path of becoming an opera director… [he has founded] the Opera Group, a lean organisation devoted to small-scale new work and the revival of contemporary classics, which he has built into one of the best of its kind.”