Is Lorin Maazel The Munich Phil’s Next Music Director?

Maazel “would succeed Christian Thielemann, who was unable to negotiate a contract to his liking and is leaving at the end of the 2011 season to take over the Dresden Staatskapelle. The orchestra has not officially announced the appointment, but Munich’s mayor, Christian Ude, and his press spokespeople appear to have spilled the beans.”

Royal Liverpool Phil Looks To Build Second Hall

“Ambitious plans are being drawn up to build a second concert hall for Liverpool’s Philharmonic as part of a £40m revamp. Officials have revealed proposals to build a second hall,” – smaller and more flexible than the Art Deco 1,800-seat Philharmonic Hall – “create more back stage space for musicians and new drinking and eating areas for concert goers.”

Eschenbach Calls PhilOrch Management Incompetents And Liars

Near the end of a Q&A to mark his 70th birthday, the Philadelphia Orchestra’s ex-music director attributed his departure “to an incompetent new management. They pretended that the orchestra couldn’t stand me. What a lie that was. This mismanagement has led to a $9 million accumulated deficit and no chief conductor [sic] found. I’m glad I’m away from there.”

Metropolitan Opera Hikes Its Ticket Prices

“The cost of an average individual ticket will rise by 11 percent, while subscriber tickets will go up an average of 6 percent. The Met said it had not made ‘across the board’ increases in four years,” and general manager Peter Gelb “said that while administrative cost cuts remained in effect, ‘We are not skimping on our presentations’ for the coming season.”

Manfred Honeck, The St. Francis Of Conductors

“Virtually every conductor I’ve worked with – the worship has been of themselves,” says one orchestral musician. Among top maestros, it’s unusual to find an individual as openly, and even enthusiastically, devout as the Pittsburgh Symphony’s music director. “Yet [Honeck] wears his piety lightly. There is little sanctimony about him, and …[s]tories abound about his humility and charity.”

Who Says Chopin Isn’t Butch Enough?

“Chopin’s music has sometimes been branded effeminate, or ‘salon music’: not quite serious, not quite healthy, not quite German, since it departs from the structural conventions of the great Viennese classical school. … Indeed, some of Chopin’s ardent defenders have implicitly bought into the idea that the music is weak and needs defending, trying to emphasize its seriousness (and manliness) by playing the works in sets.”