Richard Thomas Will Never Stop Being John-Boy, But Now He’s Jimmy Carter Too

“I’ve never been interested in obliterating John-Boy. I loved that character and show. Families come up to me now with very young children who watch the show, and it thrills me. I’m very happy that John-Boy is still up in his room writing on his tablets for a lot of people.” [Warning: This story contains spoilers for Season 4 of The Americans.]

Is Snapchat The Closest Thing (On Our Phones) To Pure Emotional Communication?

“This is not to say that text is irredeemable. A significant humanization of our text interactions happened quietly in 2011, when emoji were introduced as part of an Apple iOS software update. They offered a palette of punctuation that clari­fied intent. Tacking on emoji like hearts, skulls, grins and bugged-out eyes to a short message made it infinitely easier to confidently project sarcasm, humor, grief and love across a medium that had been, until then, emotionally arid.”

At Cannes, At Long Last, Progress For Women

“After years in which the festival was criticized for favoring male auteurs, this year three female directors have strong films in competition … Even if Cannes’s selection, like the film industry itself, hardly achieves gender parity, there’s been more conversation this year about the challenges of getting more women behind the camera and in front of it.”

Remember ‘Cop Rock’? It Wasn’t A Disaster, It Was Ahead Of Its Time

The 1990 prime-time series was “a high-profile failure that has become the stuff of television legend. It was an effort to tell a cop-shop story with the tools of a Broadway musical, an idea that generated a smattering of admiration but a whole lot of ridicule that remains to this day.” Yet, argues Neil Genzliger, “what immediately strikes a 2016 viewer is how current the story seems.”