‘Recombinant Art’ – Where The Web And Mash-Up Culture Are Leading Us

The destination, suggests Michiko Kakutani, could be something like David Shields’s new book, Reality Hunger, which “consists [almost entirely] of 618 fragments, including hundreds of quotations taken from other writers like Philip Roth, Joan Didion and Saul Bellow – quotations that Mr. Shields, 53, has taken out of context.”

When Japan-Mania First Hit America

It was back before anime, or California Zen, or Whistler painting women in kimonos, or even The Mikado. In 1860, a group of samurai diplomats arrived in San Francisco on a state visit and made their way to New York and Washington, attracting cheering crowds. The excitement of the encounter on both sides promptly disappeared amidst each country’s civil war.

Hanoi Tries Out ‘Happenings’

“At first, three discreetly covered slender models tottered self-consciously on very high heels. Seated at a table was Vu Nhat Tan, Vietnam’s leading avant-garde composer, there to provide an electronica background as Phuong Vu Manh began to systematically apply a wash of color to each model – one red, one blue, one green. … Tan gradually built a wall of elaborately inventive sound while Manh elaborately decorated his ladies into Avatar-like beings.”

Cultural Olympiad Won’t Repeat Millennium Dome Debacle

“There will be no political interference,” promised Tony Hall, chief executive of the Royal Opera House and chairman of the Cultural Olympiad board. Said the Olympiad’s artistic director, Ruth Mackenzie: “One might imagine that even the politicians have learned from the millennium dome that you need to have clear artistic leadership.”

Edinburgh Int’l Festival 2010 To Explore The New World(s)

“The theme running throughout the three-week festival is … drawing attention to those cultures that naturally look to the Pacific rather than the Atlantic, whether that be a dance company from Auckland or orchestras specialising in the music of 15th-century [sic] Bolivia and Mexico.” There will be top modern theatre companies from North and South America, Australian composer Brett Dean’s new opera, an 18th-century German take on Moctezuma, and Porgy and Bess in French.