When Times Got Tough, Sacramento Ballet Got Creative

“The Ballet cut three staff positions, immediately stopped advertising , and most dramatically, cancelled the remainder of its season in the huge and expensive Community Center Theatre. Then [co-artistic director Ron] Cunningham did something really radical, he added performances… dozens of smaller ones at the Mondavi Center, McClatchy high, in art galleries and mostly in the Ballet’s home studios. The revamped season was a gamble.”

Birmingham Hopes To Make Itself Into Dance Mecca

“Birmingham Hippodrome, along with long-standing resident companies the Birmingham Royal Ballet and DanceXchange, is laying plans to become an international centre for dance.” The venue’s CEO said, “Over a third of the half a million tickets we sell are for dance performances, which means we sell more tickets for dance than any venue outside London.”

Ballet BC Announces First Stage Program Since Canceling Season

“Ballet BC is returning to the stage in September under new interim artistic director Emily Molnar for a single evening’s performance featuring dancers from the National Ballet. … [The company] previously announced it the suspension of its 2009-2010 subscription series and confirmed it would not be participating in the biggest cultural festival in the country next year, the 2010 Cultural Olympiad.”

Baseball Bets Big On Berlin Ballet Stars’ Genes, Discipline

“Max Kepler-Rozycki, 16, has just received an $800,000 bonus to sign with the Minnesota Twins, a stunning sum for a teenager out of Europe and a record for an amateur position player outside the U.S. and Latin America. … But the reason the Twins are betting long on a kid who is still two years away from his high school graduation is another pair of attributes scouts talk about, both inherited from his parents, former Berlin ballet stars.”

Fretting About The Future Of Modern Dance

Michael Kaiser: “Modern dance is one of the glories of American cultural history. … But virtually every great modern dance company was founded more than 40 years ago. Where is the current, not to mention next, generation of great modern dance companies to carry the torch?” And will they have the administrative and board support they need to survive and thrive?

Fred And Ginger: They Embodied Dance-As-Romantic-Love Like Nobody Else

Alastair Macaulay: “Dancing together, Astaire and Rogers expressed many of love’s moods: courtship and seduction, repartee and responsiveness, teasing and challenge, the surprise of newfound harmony, the happy recapture of bygone romance, the giddy exhilaration of high spirits and intense mutual accord, the sense of a perfect balance of power, the tragedy of parting and, not least, the sense of love as role playing.”