Blog

Obie Award Winner Vinie Burrows Has Been Working In Theatre For More Than Seven Decades

Burrows is an actor, playwright, producer, and activist who started her career as a kid on a radio show. In 1968, she was favorably written about in The New York Times, and she says, “It put me in another tax bracket. I remember being in Algiers at a festival. Why was someone in Algiers talking about me? He knew me because he had read the Times article about me. The Times review can put you in another tax bracket, even today.” – American Theatre

James Murdoch Has Resigned From The News Corporation’s Board

Rupert Murdoch’s son James, who has championed environmental causes and helped force out Bill O’Reilly at Fox after the host’s past with sexual harassment came into the open, “abruptly resigned from the board of his father’s publishing company Friday, signaling an acceleration in family tensions over the tenor and politics of its far-flung media empire. “- Los Angeles Times

The Literary Museums That Made It This Far Are Slowly Reopening

Shakespeare’s birthplace just reopened, and Jane Austen’s house is about to reopen – and some of the changes advantage the visitors coming now. “The cottage where Austen revised, wrote and had published all six of her novels will be offering a far more intimate experience to visitors than before: numbers will be significantly limited, with visitors given time slots.” – The Guardian (UK)

How Poetry Can Guide Us Through Trauma

Audre Lorde’s 1977 piece “Poetry Is not a Luxury” seems prescient right now. “Poems have alchemized death and imagined the continuation of lives cut short by racist violence. They’ve given texture to the ‘sudden strangeness’ of life brought on by the coronavirus pandemic, offering comfort to countless readers. In moments of uncertainty, poetry has illuminated bridges to the past—and shown how the act of remembering might alter the future.” – The Atlantic

Why Is Netflix’s ‘Most Watched’ List Such A Wasteland?

Whew: “If HBO’s Game of Thrones was the last great piece of TV monoculture, then the pandemic has popularized a series of forgettable productions that each offers a fleeting, miniature facsimile of communal attention. Absent the usual summer blockbusters, and with few prestige shows rolling out new episodes, the landscape of American entertainment is barren enough for C- shows and movies to rack up the viewership of B+ productions, if not the associated enthusiasm.” – The Atlantic

It Is Wacky To Think That Writing For Adults Is Better Or More Important Than Writing For Kids

Author Robin Stevens on writing for kids: “What book changed your life? What stories made you think about the world? I couldn’t tell you much about what was in most books I read last month but I can tell you every character in Howl’s Moving Castle. Eva Ibbotson’s morality has become mine, Diana Wynne Jones has influenced how I write, the way Terry Pratchett talks about society helped me think about all those things.”- The Guardian (UK)

Leon Fleisher, Pianist And Teacher, Has Died At 92

Fleisher famously spent 30 years mastering piano’s left-handed repertoire after an injury to his right hand – and then reintegrated his right hand when it recovered after three decades. “Fleisher often pointed out after his comeback that he was not, and never would be, fully cured. But he also acknowledged, late in life, that the incapacitation of his right hand in 1964 ultimately gave him a far more varied musical life than he might have had if he had been able to pursue a conventional career as a virtuoso pianist.” – The New York Times

When The American Museum Of Natural History Reopens, It Will No Longer Be Pay As You Wish

The planned reopening date is September 9, but of course not if infections start to crest again in New York. And, of course, “when it reopens, it will limit capacity to 25% and reduce its operating days to five instead of seven.” Then there’s the little matter of paying what the museum wishes, not what you wish. – Hyperallergic

What Does It Truly Mean To ‘Decolonize’ Dance?

Ask choreographer Sarah Crowell. The artistic director emeritus of the Destiny Arts Center. “The inquiry requires that we look at all levels of society. We have a particular way of seeing beauty that leaves people out. … In dance, George Balanchine had a great deal to do with creating an aesthetic that was seen as valid and the truth. Very slender, prepubescent, long-legged women. They would have to be white females, but it doesn’t cover all white femaleness. To me, the mind of the artist is like all the minds: colonized to think in a particular way. If what is beautiful is white and thin with long legs and very little breasts, then in the ballet world, how do we break that?” – San Francisco Classical Voice