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The Pasadena Playhouse Is In Trouble, But Its New Artistic Director Is Ready To Fight For Its Survival

The Playhouse is celebrating its centennial but canceled two large-cast productions last year for plays with far, far fewer people, and had to get board loans for this year after the state of California cut $1 million from its budget (the cuts were restored). Still, new producing artistic director Danny Feldman “isn’t daunted by the challenges, referring to himself as ‘bizarre’ in that he loves fundraising.” Can he succeed?

There Are Two American Ballet Theaters, Thanks To The Needs Of Filling The Met

Having the 3,800-seat Metropolitan Opera House to dance in is a blessing and a curse for the ballet as it has to balance creativity with getting people in seats. “When dancing elsewhere, its repertory consists more largely of one-act ballets; when at the Met, it has tended to model itself on the old Royal: full-length ballets with impressive scenery and costumes, storytelling and acting.”

Even Famous Actors Have To Deal With A Huge Amount Of Sexism On Set

Zoe Kazan (whose partner of 10 years, Paul Dano, is named in the following quote) says, “There’s no HR department, right? We don’t have a redress. We have our union, but no one ever resorts to that, because you don’t want to get a reputation for being difficult. I’ve told Paul about stuff that has happened on set and it’s almost as if he can’t take it in. It’s too upsetting. And he’s never had to deal with that once.”

How Is Wrestling Like Greek Theatre?

One of the creators of Netflix’s new wrestling series, GLOW, says: “You’re telling stories on a scale that we’re not used to, but that’s really exciting — that can cross cultures, can cross languages. From one side, if you’re being ungenerous, you can say it’s super reductive and then from the other side, you could say it’s storytelling at its most potently inclusive and epic.”

Empathy May Be Overrated

That’s right, we need to understand irreducible alterity – a philosophical concept developed by a Holocaust survivor. “What if instead of sameness it were otherness that was the foundation for ethical action? What if being confronted by someone utterly different from you — someone you are opposed to, confused by, scared of, someone you can’t understand — was the urgent signal that there was a life in need of your protection?”