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Here’s How The Internet’s Culture Wars (And Memes) Led To This Presidency

The so-called “alt-right” didn’t go for National Review style (not in any way). Instead, “they have adopted the fetishism of transgression that marked the Cultural Studies left: they embedded themselves in subcultural styles repellent to mainstream, middlebrow liberal sensibilities and they call on their armies to attack the tastes and sensibilities embodied by n00bs and ‘normies.'”

A Museum Plans To Sell 40 Paintings To Fund Its Renovations, But Here’s Why That’s A Bad Idea

Using artworks in the collection as fundraising sources a terrible message for potential art donors, not to mention the public. “One of the most fundamental and long-standing principles of the museum field is that a collection is held in the public trust and must not be treated as a disposable financial asset … Two of the works the Museum is currently planning to sell are important paintings by Norman Rockwell, given by the artist to the people of Pittsfield.”

Jeanne Moreau, The Face Of French New Wave Film, Has Died At 89

She starred in Louis Malle’s The Lovers and then François Truffaut’s Jules et Jim, and “went on to particularly memorable roles as Marcello Mastroianni’s lonely wife in Michelangelo Antonioni’s classic The Night (1961), a controlling servant in Luis Buñuel’s Diary of a Chambermaid (1964), a coldhearted seducer in Eva (1962) and a vengeful newly wed-newly widowed in The Bride Wore Black (1968).”

Germany’s Most Embarrassing Musical Export

It might not even be an export. It might only be possible within Germany: “Of the current top five albums on the German charts, two are schlager records. To put it into perspective, that would be like if the number three and four albums on the US Billboard Hot 100 were Christian rock about cats.”