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Can Legislation Return Film-Scoring Jobs To Los Angeles Musicians?

The numbers are grim – “According to International Recording Musicians Association president Marc Sazer, L.A. musicians – who once routinely scored nearly all American movies – have lost substantial ground to London and other European venues. In 2003, nearly 60 percent of feature films were scored by American Federation of Musicians members; by 2015, that number was down to 30 percent” – so a tax credit may soon be in the offing.

Three Detroit Museums Band Together To Address The Riots That Dramatically Changed The City

Two museums whose patronage is supermajority white in a city that’s 80 percent African American combine with a museum that has more appeal to the city’s Black residents in a bid to get Millennials interested in what did happen – and what can happen again. One curator said, “This occurred, and pay attention, because it can happen again.”

The Brouhaha Over The Koch Brothers Funding ‘Wonder Woman’ Reflects Entertainment’s Biggest Problem

Uh, y’all, the system is capitalism, and that means that “the moral ballyhooing or furious condemnation of mainstream art and pop culture often seems undercut by the very fact that, presumably, the process by which most of these works were made will inevitably play into inequality-perpetuating systems in ways that have just as critical — and in some ways, a more direct and immediate — impact on the world as what we’re seeing onscreen.”

When The Music Director Writes Things On Scores, The Orchestra’s Music Librarian Must Translate For Everyone Else

At least with the Philadelphia Orchestra and Yannick Nezet-Seguin, who prefers editions called urtexts (with the composers’ original phrases, dynamics, and notes), says librarian Robert Grossman. “Although the Philadelphia owns more than 5,000 scores and their instrumental parts in the public domain and has another 5,000 scores for pieces written since 1926 whose parts must be rented, this means Grossman is starting with a clean slate when working with the urtext editions.”