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Detroit Hires A ‘Chief Storyteller’, The First In Any U.S. City

“The $75,000 position … was conceived to give Detroiters a way to connect and discuss issues that don’t get covered by the city’s traditional media” – i.e., something other than ruin porn or comeback boosterism. The person named to the job is popular journalist Aaron Foley, author of How to Live in Detroit Without Being a Jackass.

Pierre Bergé, 86, Co-Founder Of Yves Saint-Laurent And Powerful Arts Patron

“His ambitions carried him far from fashion into the worlds of politics and culture. Though his clients were mostly rich and conservative, he was a staunch supporter of the Socialist Party, a contributor to liberal causes and a patron and arbiter of literature, theater and music.” President Mitterand appointed Bergé head of the Paris Opera, where his six-year tenure was stormy even by the standards of that notoriously contentious institution.

Keith Haring Mural In Paris Saved From Wrecking Ball, Restored

Haring had assumed that his South Philadelphia mural would disappear, and it hasn’t. For this 88½-foot mural, it was the opposite: “I made this painting to amuse the sick children in this hospital, now and in the future,” he wrote in his diary – but by 2011 it had deteriorated badly, and the hospital was going to demolish it as part of an expansion. Roslyn Sulcas recounts how the piece, called Tower, was rescued.

The Winner Of The 2017 Carbuncle Cup Is –

  • the one we here thought was the least bad of the finalists. (We agree with the vast majority – 78% – of Building Design readers, who chose a different candidate.) But the judges’ votes for the UK’s worst building of the year went to a development near London’s Victoria Station; one judge describes it as “two large blocks sliced and diced to create to create a series of angular volumes drunkenly leaning on each other … [with] a headache-inducing moiré pattern when viewed from the side.”

Brussels’ La Monnaie Opera House Finally Reopens – With A Brand-New Opera That Brought The House Down (Figuratively)

The grand old theater shut down for renovations two summers ago; the work was supposed to take only one season, and the extra year of delays forced the company to (literally) put up a tent to perform in. Now the company has come back to its home stage with a brand-new work about which Corinna da Fonseca-Wollheim writes, “It’s undeniable: Philippe Boesmans’ Pinocchio is a hit.”

Top Posts From AJBlogs 09.07.17

Berserk in the Berkshires: Museum’s Perverse Plan Underscores Need for Government Regulations
The sad saga of the Berkshire Museum’s descent into madness — its wrongheaded, self-destructive obsession with solving its financial problems by selling off the best works in its collection — reaffirms my long-held conviction that strict laws and/or ironclad … read more
AJBlog: CultureGrrl Published 2017-09-07

Jazz on Millennium Park’s big screen – PoKempner photos
A 40-by-22½-foot LED screen is a dominating feature of the stage in the Pritzker Pavilion of Chicago’s Millennium Park, difficult to ignore though many try.  … read more
AJBlog: Jazz Beyond Jazz Published 2017-09-07