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Women Explain What It’s Like To Work As A Director In Not-Actually-Progressive Hollywood

The stats are deeply ugly: “In 2016, only 7 percent of the directors behind 250 of the year’s highest-grossing domestic releases were women. (In television, things are a bit better: Thirty-two percent of first-time episodic directors during the 2016-17 television season were women.) From there, women directors get lower budgets on average, and their projects are played on only one-third as many movie screens as male-directed films, according to a study cited in 2016 in The Hollywood Reporter.”

A Broadway Bigwig Gets A Web Series, And Takes On The President

Jordan Roth, whose Jujamcyn Theatres owns five of Broadway’s 41 theatres, and “who has had a longtime interest in performing and has dabbled in video production previously, conceived of this new series months ago, with the idea of developing ‘a kids’ show for adults,’ modeled on ‘Mister Rogers’ Neighborhood’ and ‘Pee-wee’s Playhouse.'” And there’s a lot of swearing – not to mention jokes aimed squarely at the president.

Listen Up, Literary Snobs: You Need To Wake Up To The Fact That Romance Is Lit

Romance isn’t pretending not to be about politics. “Romance is political because all art is political, but also specifically because of what it is and who makes it. As the genre grapples with its place in the resistance, it confronts the structures of privilege and exclusion that have shaped the genre for decades. It is a reflection of America, after all, in more ways than one.”

Has Anything Changed In The UK For Working-Class Children Who Might Want To Be Writers?

Author Kit de Waal says that when she grew up, “The only writers I knew were dead. And apart from Enid Blyton, they were dead men. And white. And posh. Even when I began to read widely in my 20s, it was still a case of: if you can’t see it, you can’t be it. No one from my background – poor, black and Irish – wrote books. It just wasn’t an option.” And things haven’t changed much, she says.

The Biotic Portal Is What Happens When Two Poets Take Over The Garden

Poets Denise Newman and Hazel White won a grant to collaborate with the UC Botanical Garden in Berkeley. Then they created a massive collaboration. “Poetry is often so nearly silent, floating on the page, unseen and unheard by the vast majority of people, even those who read. I sense in Newman and White the desire to break down the barriers between poetry and the world, to get out there and chat, even as they undertake brainy inquiries about the nature of beauty and how a seemingly innocent activity, like collecting plants, can conceal human power dynamics.”