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Can We Talk About 5 Pointz, And The Line Between Homage And Exploitation?

To do that, we first need to go down a rabbit hole of, well, history (recent history). Do we remember this? “In 2013, [the owner] made plans to tear down the building and replace it with condos, as part of a larger ongoing movement to tear down the entire city of New York and replace it with condos. The art community protested, and Wolkoff whitewashed the building overnight, destroying the artwork.” Uff. – AV Club

The Detroit Symphony Orchestra Created A Fake Event For Young Musicians To Facilitate An Engagement

Yes, this happened (will it lead to new fundraising opportunities for symphonies?): A musician’s boyfriend and the DSO, working together, “created a fake networking event for young musicians on March 10 at Orchestra Hall. After a few days, Santa Cruz and a friend RSVP’d for the event.” – Detroit Free Press

Marvel Has A Not So Great Pattern Thing Going On

And yes, it’s in Captain Marvel too: White superhero, POC sidekick. To be fair, “The characters would probably balk at the classification of ‘sidekick.’ Yet they’re designated by the films as such, by virtue of their stories ultimately working to support the main character’s arc. All of them exist to help the lead work through some issue or trauma and provide logistical backup.” – The Guardian (UK)

The Seductive Escape Of Designing New Roller Coasters

In a new movie, a little girl imagines a roller coaster (and an entire amusement park) into existence. The glamor and thrills of amusement parks, and roller coasters in particular, can lead kids’ imaginations in exciting ways – and maybe can lead those kids to leave their towns and families and wind up in new, unknown, sometimes scary (but thrilling) terrain. – The New York Times

LACMA Decides To Collapse Euro And American Art Into One Big Department

Christopher Knight on why this isn’t going to work – with a review of a new show embedded within the commentary: “Art museums have two audiences — one general, who may or may not have a genuine interest (there’s got to be someplace to take the in-laws over the holidays); the other a dedicated art audience, who range from passionate enthusiasts to committed professionals. … Lose the core and the museum is in trouble.” – Los Angeles Times