If You Want To See Your Work On Broadway, A New Play Won’t Do

“‘August: Osage County’ was the last serious drama by an American playwright to become a multiyear hit. Since 2010, the only straight play of any kind to have run on Broadway for more than a year was the Lincoln Center Theater transfer of the London production of ‘War Horse.'” Also, it doesn’t help as much as you might think to cast a TV or movie star.

Top Posts From AJBlogs For 04.12.15

Doing old things in new ways: Geoff Hoyle’s “Lear’s Shadow” at The Marsh
AJBlog: Lies Like TruthPublished 2015-04-12

AJBlog: JumperPublished 2015-04-12
 AJBlog: RiffTidesPublished 2015-04-11
AJBlog: DancebeatPublished 2015-04-11
AJBlog: CultureCrashPublished 2015-04-10
AJBlog: DancebeatPublished 2015-04-10
AJBlog: CultureGrrlPublished 2015-04-10
[ssba_hide]

Why Is So Much Entertainment About The Selling Of Dead Girls And Women?

“A single show with a woman who is the victim of violence for ‘entertainment’ isn’t the problem. However, with show after show employing victimization of women as a plot device it just doesn’t reflect the wide range of actual women’s experience. Instead, it reinforces the narrative of woman as victim in real life. It reinforces that women are to be abused and avenged.”

Garry Trudeau Explains Why Satire – And Charlie Hebdo – Shouldn’t ‘Punch Downward’

“Satire punches up, against authority of all kinds, the little guy against the powerful. Great French satirists like Molière and Daumier always punched up. … Ridiculing the non-privileged is almost never funny — it’s just mean. By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech.”