Maybe Theatres That Mess Up Diversity Are Simply Scared Of Getting It Wrong

“Even the most art-forward of theatre’s institutional leaders are beholden to demanding boards, disapproving patrons, an often hostile press, and a dwindling pool of single ticket buyers. We live in a tough moment to produce theatre—a moment which has maybe lasted about four hundred years, but still. The desire to produce a bulletproof season is, in that context, understandable. And the fear of doing otherwise is significant.”

A New Artistic Director For A Formerly Modest Company In The Midst Of Transformation

“Smith is now two days away from the opening of the first show of his first season at the Flea, Thomas Bradshaw’s ‘Fulfillment,’ a comic drama about New York strivers and a supposedly perfect downtown apartment. The season also happens to be one of the last before the Flea — founded in 1996 by Mr. Simpson and others, to raise ‘joyful hell in a small space’ — itself trades up to a new $21 million home. It’s tempting to spot a sly metaphor.”

That Other Museum (Re)Opening This Weekend

“The earliest Beaux-Arts building in the United States, the Morgan Memorial was conceived and largely paid for by the financier J. Pierpont Morgan, a Hartford native who named it in honor of his father. In 1915, it opened to the public, 73 years after the museum itself was founded by Daniel Wadsworth. (The Wadsworth Atheneum is the oldest continuously open art museum in the country.)”

Women Are Everywhere In Ballet. Except This One Thing…

“Boston’s was one of eight ballet companies started in cities across the U.S. — including Philadelphia, Houston and Washington D.C. — that were launched with a $7.7 million Ford Foundation grant in 1963. Created and nurtured by strong female artistic directors, these companies grew in size and stature, and all are thriving today. But the women leaders are gone; all of these troupes are headed by men.”