Who’s Behind Glasgow’s Covid-19 Street Art?

It’s not “strictly legal” to be out during lockdown (though it’s not strictly illegal either), so most of the artists will only speak anonymously. “One of those behind some of the most striking paintings is known as The Rebel Bear. … The Bear said he wanted to ‘provoke hope’ of life after lockdown. ‘And also to show the tightrope between fear and love that many of us are walking at the moment,’ he added.” – BBC

Maybe Our Screens Are Magical

At least for magicians. For instance, one new show, “with a stringent ticket allocation — only 25 Zoom logins per performance — felt more like pre-isolation theater than anything I have encountered in the past two months. (As a theater critic in withdrawal, this was unreasonably exciting.) Each ticket includes a ‘mystery box’ (a nod to Tannen’s Mystery Box, but this one comes with an alcohol wipe), which is sent to your home.” – The New York Times

When Lockdown Brings Sudden Instagram Fame

Actor Leslie Jordan is just fine with all of the attention to his “pillow talk” tales of working with more famous – and often much more highly paid – actors and performers. “What was interesting to me was how offers started coming in to push products,” he says. “I’m telling you, I did not know the word monetise.” (He does now.) – BBC

The Utter Shutdown Is A Great Time For Theatre To Rethink, And Reimagine, Everything

No one – certainly not the federal government – will be saving the arts, it appears. And that’s horrible. Also, it’s time for all kinds of thinking. “How about we make possible something I have dreamt about for a long time: a bread-and-theatre initiative, i.e., deliveries door to door of bread (or other staples) accompanied by a little play offering? … How about phone plays for elderly folks and those without access to art that can stream into their homes?” – American Theatre

Playing Bach, But Backwards And Upside Down

A computer playing the Goldberg Variations backwards sounds, yes, like a counter-counterpoint, but “at the same time, it sounds eerily familiar, starting with the upside-down Aria — the theme developed over Bach’s 30 variations. The slowly ascending notes in the lower staff of Bach’s original, which outline a G major triad, become, in the upside-down version, a graceful falling figure in the top line.” – The New York Times

An Early Oscar Contender May Actually Have Been Helped By The Lockdown

Eliza Hittman’s Never Rarely Sometimes Always was never tipped to be a blockbuster. Her heavily realistic, light on the swelling music movie of two young women in search of at least temporary safety and medical care wasn’t meant to be a feel-good movie, either. But “Oscar buzz is now steadily building (buzz that was given a major boost thanks to the Academy’s decision to relax its anti-streaming rules for films whose cinema releases have been scuppered by the pandemic).” – The Guardian (UK)