How Do You Design Costumes When Your Theatre Has Little Money For Costuming?

“I used my parents as my inspiration for the design. They were still young campesinos in the ’40s. No matter how poor, I remember seeing my father dress himself in his dark pin stripe suit every Sunday morning for Mass; his calloused hands darkened by fieldwork. As a campesina, my mother would wear her khaki pants under her cotton dress for modesty. It was inconceivable just to wear pants for fieldwork!”

The Philadelphia Orchestra Is Still In Trouble

“The orchestra’s problem isn’t hard to see. It is under-capitalized. It has the quality of a top-tier ensemble, but lacks the endowment to support it. It needs more money to program and market properly, and if it were programming and marketing properly, it might attract more money. The Philadelphia Orchestra is the city’s longest-running chicken-and-egg problem.”

Translating Shakespeare … To The Language Of Ballet

“The ubiquity of Romeo and Juliet as a ballet is not shared by any other Shakespeare play. In fact, although the strength of his stories and characters seem to make the playwright a good choice for dance, in practice those few ballets based on his other plays have often foundered on dance’s difficulty with translating thought into action; narrative alone is not enough to sweep the audience along in these plays.”