What It’s Like To Adapt A Superhero For The Netflix Screen

“Jessica Jones” showrunner Melissa Rosenberg: “It changes quite a bit for cable. It becomes more about continuing story lines than it does about case-of-the-week. Because you’re not a slave to commercials and a week in-between each episode, you have all that real estate you normally spend recapping, going to storytelling. So you find yourself really pushing the edges even further than you might otherwise. Netflix is very much into pushing the edges. We went dark.”

The Fight To Save Cultural Spaces From Developers In South London

“Last week it was reported that Southwark council had rejected plans to turn a multi-story parking garage, currently home to exhibition space Bold Tendencies and Frank’s Rooftop Bar, into 800 affordable artists’ studios. Instead the council opted for a collaboration between a Mayfair-based developer and Carl Turner Architects; the gang behind the much criticized ‘Pop: Brixton’ hellscape. Focusing on ‘multi-use event spaces, pop-up retail, and cafe/bars’ the scheme will target ‘ambitious young professionals’ and offer a mere 50 artists’ studios.”

Top British Theatre Awards Go To Nicole Kidman, James McAvoy

“The award for top play was picked up by Stephen Adly Guirgis’ ‘The Motherf**ker with the Hat,’ which was directed by Indhu Rubasingham. The New York-set comedy centers on a drug dealer, recently released from prison and trying to go straight, and his volatile girlfriend. The production formed part of the Rufus Norris’ first season as artistic director at the National Theater.”