How Did This Chicago Theatre Go From Playing To 60 People In A Bookstore To Getting A $28 Million Complex?

“An interesting paradox: The fewer seats you have in a theater, the less money you can bring in at the box office, but the more you can connect with your audience, and your audience includes your best donors. No arts organization can fund a building of this scale from ticket sales. It can from donors.”

The 1972 Dance That Changed The World

“Not even its organizers had completely believed this particular dance would take place, and disaster was still quite possible. Forbidding American college students to dance rarely seems like a tenable position, but up to the very day it was scheduled, administrators at the university felt they had not only public opinion but also the law on their side in blocking it. These students didn’t merely want to dance.”

Football Teams Aren’t The Only Ones Facing Off Today

“The losing theatres will incorporate an element of the winning team into the scenic design of an upcoming production; the staff of the losing theatre must wear the winning team’s colors to work the following Monday and post evidence on social media; and the defeated theatres must decorate their main box offices with a stuffed version of the winning team’s mascot.”

Why Do Humans Love Invented Languages So Much?

“Strangely enough, the more ‘alien’ the language, the more we can learn about our own messy human languages and how ‘weird’ they can seem. Marc Okrand, the creator of Klingon, explains how he deliberately tried to violate human language universals in order to make Klingon seem alien, from the unusual set of sounds in its phoneme inventory to using uncommon syntactic rules, such as the object-verb-subject word order seen only in about 1% of the world’s languages.”