Top Posts From AJBlogs For 04.10.16

Weekend Extra No. 2: Just Because
The Charles Lloyd Quartet having a good day in Europe 50 years ago. Listen for the Stravinsky quote at 1:46. Charles Lloyd, tenor saxophone; Keith Jarrett, piano; Cecil McBee, bass; Jack DeJohnette, drums. From Radio… … read more
AJBlog: RiffTidesPublished 2016-04-10

Meeting the Hangman
By Heathcote Williams I used to speak out against capital punishment From a soapbox at Speakers’ Corner. This was when it was thought that hanging people Was helpful in maintaining order. One day someone called… … read more
AJBlog: Straight|UpPublished 2016-04-10

Weekend Extra: Borrowed From Bill Crow
Bill Crow has played bass with several of of the world’s leading jazz artists, Stan Getz, Art Farmer, Marian McPartland and Gerry Mulligan among them. A terrific writer, he has developed a sidebar career as… … read more
AJBlog: RiffTidesPublished 2016-04-08

A new home for a great company

In today’s Wall Street Journal drama column I review two important out-of-town revivals, Writers Theatre’s Arcadia and Repstage’s Hunting and Gathering. Here’s an excerpt. * * * The best regional drama company in America now… … read more
AJBlog: About Last NightPublished 2016-04-08
Almanac: Shakespeare on the big-lie technique
“He will lie, sir, with such volubility, that you would think truth were a fool.” William Shakespeare, All’s Well That Ends Well… read more
AJBlog: About Last NightPublished 2016-04-08
[ssba_hide]

The Other Problem With Gay Talese

“The 84-year-old journalist ventured out to Boston University last week, and made a series of simultaneously inane and offensive comments about female writers. Since that time, Talese has been the unsurprising object of mockery and scorn on Twitter and elsewhere. But within the same week, to less fanfare, Talese revealed an even darker side of himself via a massively long piece in the current issue of the New Yorker, titled ‘The Voyeur’s Motel.'”

No One Living Has Ever Heard The Most Famous Violin In The World

“The violin world is a world based on lineage, secrecy, and the ‘war’ between authenticity and deception inside an elite group. It consists of a cloister of craftspeople, dealers, and ‘experts’ passing very specific knowledge down to the very few willing to take the time to learn this time-intensive skill that for centuries has been based on copying old fiddles.”