Pulp Fiction Will Never Die

“Mainstream literary writers — people like Anne Tyler, who I like very much — are fighting over a smaller and smaller patch of ground. And genre writers are writing with more maturity. What genre writers understand now is that when someone dies, someone is out there to mourn them. Every death has a repercussion. So there’s a maturity that wasn’t always there before. These are novels about social conscience, reflecting what’s going on in our world.”

Ballet Without Tutus

“‘Ballet is like a push-pull between feeling and logic,’ [Alonzo] King says. ‘Every human being has both, and ballet is a balancing act between the two. If you get too much logic it defies what you might be feeling, and yet with too much feeling things become unbelievable.'”

The Little Journal Of Theatre Criticism That Could, Now Turning 40

“That was before email. Our writers would come in and drop the text off at our offices — Susan Sontag came by to bring the intro to a volume of plays by Maria Irene Fornes; agents came, artists. They all came to deliver their articles and plays and we’d talk for a long time. I remember one particular day when Jonathan Kalb dropped by; we stopped everything and we talked a few hours. He said to us, ‘Is it always like this?'”