Curating An Irascible Abstract Expressionist

“It was thought that there was something weaker about them because they were more thinly painted. And it was then that there was this sort of equation between these lightly painted pictures and her being a woman (though neither Mitchell nor Hartigan painted in this way). There were some people, like [critic] Harold Rosenberg, who was a big supporter of the idea of the painting being made out of heroic gestures. And with her work there are no gestures.”

Teaching Claudia Rankine’s ‘Citizen’

“The labor itself of ‘proving racism,’ and providing testimony is heartbreaking. Talking about it in spaces like poetry workshops, about the craft of it, breaking it down like it wasn’t about living people in that room, as though we can’t spend our entire lives with our own testimony, as though we weren’t witnessing in each poem we wrote? That just seems excruciating.”

The Canadian Who Wrote The Book That Became ‘Field Of Dreams’

“Kinsella began writing ‘Shoeless Joe’ as a student at the Iowa Writers’ Workshop in Iowa City near where the story was set. The story, which was published in 1982, follows a farmer who is coaxed in a dream to build a ballpark in a corn field and is visited by the ghost of “Shoeless” Joe Jackson, the White Sox star who was banned from baseball over the 1919 World Series betting scandal.”