The Brazilian Conductor Ensnared In The Web Of Political Graft Scandals Speaks Out

John Neschling, the child of Austrians who fled the Nazis in the 1930s, is a conductor and composer of film scores (“Kiss of the Spider Woman,” for instance). But now he’s been fired as artistic director at São Paulo’s opera house after he was accused in a corruption scandal: “I’m being attacked by liars and thieves in a witch hunt of the lowest caliber,” he says.

The Science Of On-Screen Chemistry

A director explains how focus group scores affect every shot in the final product. “Let’s not be naive. Creating chemistry is a massive job shared by hundreds of smart people, some of them utterly cynical about how to compel an audience with a thrilling, romantic tale told directly to your pocket.”

Zaha Hadid Died, And That Was A Tragedy – And Now A Libertarian Man Has Taken Over Her Firm

They call him the Trump of architects, and here’s why: “Abolish social housing, scrap prescriptive planning regulations and usher in the wholesale privatisation of our streets, squares and parks. That was the message delivered by Patrik Schumacher, director of Zaha Hadid Architects, to a stunned audience of architects and developers at a conference in Berlin last week.”

The Junior High Version Of ‘Company’ That Fully Flouted Copyright But Also Fully Embraced Wild Young Creativity

Never do this, but: “More students wanted in. So we added a crew of dancer-mimes who did a lot of incongruous vogueing and wore comedy/tragedy masks to provide visual commentary, notably as opposing cheering sections during a marital karate battle between Sarah and Harry. An extended nightclub-set dance sequence to the DeBarge classic ‘Rhythm of the Night’ proved a lively lead-in for the brutal Sondheim showstopper, ‘Ladies Who Lunch.'”