Nat Henthoff, Jazz Critic, First Amendment Defender, And Author, Has Died At 91

The longtime Village Voice writer earned this glorious paragraph in his NYT obit: “The Hentoff bibliotheca reads almost like an anthology: works by a jazz aficionado, a mystery writer, an eyewitness to history, an educational reformer, a political agitator, a foe of censors, a social critic. He was, indeed, like the jazz he loved — given to improvisations and permutations, a composer-performer who lived comfortably with his contradictions, though adversaries called him shallow and unscrupulous, and even his admirers sometimes found him infuriating, unrealistic and stubborn.”

How To Incite – And Deal With – Youth Audience Rebellion In The Theatre

Should playwrights be making theatre that caters to twentysomethings? Or should theatres simply spend more time putting any play they do in context? Or is this all pandering? “We don’t want to create a nation of inactive blobs who passively sit by; we want to create a community of activists who, when they see someone being victimized, jump up and speak out.”

How The Playwright And The Director Made ‘Moonlight’ Out Of One Very Tough Miami Neighborhood

Movie writer and director Barry Jenkins grew up a year older and just a block or two away from playwright Tarell Alvin McCraney – but somehow they didn’t meet until Jenkins was working on the movie that’s rocketing through awards season and audience emotions. “They remember the same swinging tree, dancing at jams held in the amphitheater, and the annual turkey bowl.”

Should The City Of Prague Take Alphonse Mucha’s Epic Painting Cycle On Tour?

His grandson says no – and sues the city to stop the loan to a museum in Tokyo. “Prof. Karel Stretti, who leads the restoration department at the Academy of Fine Arts in Prague, said the largest of the ‘Slav Epic’ pieces measures 26.5 feet by 20 feet, meaning handlers would have to remove it from its frame and roll it up, which could crack the paint.”