Richard Schickel, Long The Film Critic At Time, Has Died At 84

“In a career spanning five decades, thousands of reviews and dozens of books, Schickel chronicled Hollywood’s changing landscape, from the days when studios reigned with stars such as Katharine Hepburn to the rise of independent directors who summoned a new wave of realism that distilled the yearnings of a turbulent nation. A reviewer for Time magazine, Schickel had a legion of followers; he could be incisive and at times bruising in praising or panning a film.”

Greece Is Having A Moment

That is, ancient Greece: “The times we are living in have forced us to acknowledge that there is a darkness in humanity. … The Greek tragedies, those stories of darkness and obsession and revenge, resonate because we’re living in dark times and these are dark stories.”

Against The Odds, These Two Actors Appear Together In Two Best Picture Nominees

In a banner year for movies with black actors in the lead, Mahershala Ali and Janelle Monáe both created breakthrough performances in “Moonlight.” They cemented their year with their work in “Hidden Figures.” For Ali, the recognition comes after decades of a steady acting career; for Monáe, a successful musician, “Moonlight” was her first time onscreen.

One Neuroscientist Wants To Understand Why People Who See UFOs Seem To Feel Really, Really Good

Wait, what? Instead of becoming hostile or paranoid or more like Fox Mulder, 85 percent of people who believe they’ve encountered UFOs or aliens “become more humane, experience a oneness with the world. They become less interested in organized religion, they become more spiritual, they have less interest in monetary values, and become more sensitive to the ecological welfare of our planet, among many other psychospiritual outcomes.”

The Art Market: A Partner (Witting Or Un-) In Crime

The secrecy of the seller might have to go the way of an expectation of no selfies at museums, but for better reasons: “This sort of discretion — one founded in a simpler time, when only a few wealthy collectors took part in the art market — is not only quaint but also reckless when art is traded like a commodity and increasingly suspected in money laundering.”