The Archival Battle Of The 175-Year Old Symphonies

The New York Philharmonic faces off against the Vienna Phil, both turning 175 years old this spring, in a joint exhibition of their archives in Manhattan. Can the NY institution measure up to this? “‘Damn and blast it! Confound it! Wake up!’ the conductor and composer Otto Nicolai wrote in his impassioned draft of the Vienna Philharmonic’s foundation charter.”

Top AJBlogs From The Weekend Of 02.26.17

WHAT’S GOING ON IN OPERA?
The news that Darren Keith Woods was summarily fired after a sixteen-year extraordinarily successful career as General Director of Fort Worth Opera added to some odd news from Vienna a short time ago seems inexplicable. … read more
AJBlog: OperaSleuthPublished 2017-02-23

The stories we weave are incomplete…
It’s Black History Month again, and though I haven’t blogged about it, it’s been on my mind. I’ve thought of it when I’ve gone to the Kennedy Center, and seen that their most visible gift … read more
AJBlog: SandowPublished 2017-02-23

Music and Design
WHY do we talk about “seeing” bands or orchestral groups? How did album jackets and photography of musicians — whether Francis Wolff’s shadowy shots of jazz musicians smoking in the shadows or Astrid Kirchherr’s … read more
AJBlog: CultureCrashPublished 2017-02-23

What’s It Like Writing About Soviet Spies In The U.S. While Politicians Are Calling For An Examination Of Russian Influence On The U.S. Election?

Joe Weisberg, writer and showrunner of “The Americans,” now in its fifth season: “How is this all happening again? When we started this show, the Soviet Union was gone. We were not in any kind of serious conflict with Russia. And it seemed like a good time to tell a story about those old bygone days. And how in a few short years Russia has turned into an enemy again makes very little sense.”

At The Independent Spirit Awards, ‘Moonlight’ Utterly Dominated

No, Manchester by the Sea didn’t even come close: “Moonlight won every single award it was nominated for, including Best Cinematography, Best Editing, Best Screenplay, Best Director, Best Picture, and the coveted Robert Altman Award, recognizing greatness by an ensemble in independent film. It might have won even more – Mahershala Ali and Naomie Harris are both carrying a lot of buzz in the Oscars‘ supporting performer races – but the Altman Award disqualifies wins for individual performances.”