Musical Theatre Camp For Adults? It’s Real (And It Sounds Glorious)

Four Broadway people got together and decided it was time: “A group leaving a rehearsal room together is a team and the connection they share has nothing to do with being employed or compensated. It stems from trust, from a shared experience, and from watching each other work. That ‘cast’ feeling is what we want to create at Broadway Weekends.”

All Of The Historical Dramas In Britain Make It Hard For Black And Asian Actors To Find Jobs

Though, to be utterly clear, there were Black and Asian British people (and visitors to Britain) in any historical times a drama could cover, the costume dramas have no roles for them. Thandie Newton: “I love being here, but I can’t work, because I can’t do Downton Abbey, can’t be in Victoria, can’t be in Call The Midwife – well, I could, but I don’t want to play someone who’s being racially abused.”

How To Look At, And Think About, A Woman Who Was Once A Teen Star

The problem with most writing about Kristin Stewart post-Twlight is that (especially male) critics want to call her “mysterious” or “withholding.” But “her voice does not modulate wildly because most real voices do not. Her eyebrows do not flail because most eyebrows do not. Stewart does not take something away from her performances in order to tantalize her viewers. Instead, she intentionally fails to reach the pitch of thespian overcookedness audiences are accustomed to.”

Can A Writer Save The French Working Class From Marie Le Pen?

Édouard Louis, author of the smashing bestseller “The End of Eddy,” says he’s furious at the left-wing, and he demands that they do better: “When I see my father voting for Le Pen, I am revolted by the current government and its failings. Of course, I’m revolted by the right, but I never expected the right to do anything for the lower classes, but the left … the left has stopped speaking about poverty, misery and exclusion.”

What Should A Museum Do In A Time Of Political Crisis?

From the “Art for Tomorrow” conference: “My dream is a Syrian refugee a few years living in Germany explaining a Christian sculpture to a Berliner. Our society becomes more and more complex and multiethnic, multicultural, multireligious, it’s important really to explain to each other what we are and where we come from. This political issue is, I think, the most important task for a museum.”