The Garden Bridge, Proposed For London When Boris Johnson Was Mayor, Has To Go

Rowan Moore is not having it: “It has wrung tens of millions out of the public purse on the basis of deceptions, distortions and facts that proved to be fake. … Its claims to fundraising prowess are exaggerated, its promised transport benefits minimal. Its backers assert overwhelming public support on the basis of a poll that told those polled nothing of the costs and drawbacks of the project.”

Where Missing Women Congregate On Gallery Walls

Kenyatta Hinkle, who made a name for herself as a young artist in a 2012 Hammer Museum show, has a new show making waves in L.A. She “would play hip-hop, including Kanye West, and then draw on acid-free, recycled paper, dipping Spanish moss into India ink while dancing, which creates the nebulous and sporadic nature of her work.”

The New York Times Could Have Helped Diversify Theatre Criticism, And Instead, They Hired Another White Guy

A roundtable discusses the issue. “The line that jumped out to me from Green’s interview was when Green quotes his new executive editor [Dean Baquet] as saying, ‘It’s wrong to try to solve all of an institution’s diversity problems in one hire.’ So the answer is … to not solve any of them with this hire?”

Yes, Let’s Do Talk About Hollywood’s Gender Gap

The director of “Whale Rider” and “The Zookeeper’s Wife” always turned down invitations to speak on panels about being a woman director … until she realized nothing had changed during her decades of being in the industry. Nikki Caro says, “It was less ‘Why can’t I?’ and more ‘What the fuck is going on here?'”

We Desperately Need To Cultivate Theatre Critics Of Color

“In the past thirty years, the range and scope of American theatre has diversified, and yet most full-time critics in America are predominantly white. When theatremakers of color create art that seeks to prefigure the world we wish to live in, being reviewed by someone entrenched in a white supremacist hetero-patriarchal, capitalist gaze is counterproductive. Being reviewed by someone who is not able to meet our art where it is at is problematic.”