Deconstructing That Last Episode Of ‘Girls’ With Lena Dunham And The Show’s Director

Few shows have earned more ink of fascination and fury during their runs. “In addition to a magnificent deployment of Tracy Chapman’s ‘Fast Car,’ the episode (which is discussed further in this critical dialogue) offers up a glimpse of what growing up might look like for these characters.” [If you’re the kind of person who cares about Girls but didn’t have time to watch it, fair warning: The article contains many spoilers.]

Hamburg’s New Music Hall Has Featured Ultra-Relevant Music, Almost By Accident

And that’s partly because of money: “The runaway success of the Elbphilharmonie — every event this season is sold out, largely because of fascination with the architecture — gives Mr. Lieben-Seutter a rare degree of freedom. ‘The public is generally skeptical when it comes to contemporary music,’ he said. ‘But from a building like this people expect new experiences. Whenever we have played contemporary music we have had a very positive, focused public.'”

Craft Artists Deserve Notice Too, And That’s Going To Cost The Museum Accomplishing That

Here’s some of how a $25,000 NEA grant broke down for L.A.’s Craft and Folk Museum to mount Chapters: Book Arts in Southern California: “Security for the show cost $1,200. Postcard printing and mailing cost $150. Three advertising spots on a local NPR station totaled $1,500. Lighting and painting supplies were $1,140. Insurance for the show was $1,200. The most expensive item on the list: $8,000 for labels and wall text fabrication for the exhibition. Artist fees for all commissioned work totaled only $6,000.”

The Pilot At The Center Of The Broadway Show ‘Come From Away’ Has Bonded With The Cast – And Seen The Show 61 Times

That is one devoted audience member: “Using her free-flying privileges as a now-retired pilot, [Beverley Bass] has followed the musical’s developmental journey from La Jolla to Seattle to Washington to Gander to Toronto to New York, often with other female pilots in tow. Ms. Bass is both watching the show and reliving the events, clutching her husband’s hand as the emotions return.”