ArtsJournal2 – Page 597 – ArtsJournal Wayback

Stephen Fry Says Theatre Needs To Understand Actors’ Mental Health Is As Important As Their Physical Health

Fry, who left a production in 1995 to figure out his own mental health, said, “Swings and dance captains are there in order, every single day, to work out if there’s an injury who will be replacing who in the chorus, who is coming in to double for this part and so on. The day may come when someone says: ‘I’ve broken my ankle’, and [someone else says]: ‘I’ve got the day off because I have had a depressive episode’, and it will sound the same.”

The Peabody Award Winners Say The Truth Will Out

And you thought the Oscars were political (and had a lot of speeches): “Many honorees who took the stage garnered loud cheers from the audience when counting themselves among ‘so many other distinguished enemies of the people.’ But above all, truth was the most prevalent message among the 33 acceptance speeches.”

Did Sex Kill The Love Song?

A study says yes. “The research analysed 1,250 songs released between 1960 and 2008, and found that, while only 7% of songs from the 60s were about sex, that number had increased to 40% by the end of the study.”

What’s The Answer To Some Pressing Education Problems? Why, Digital Comics (Obviously)

Yes, comics. Comics “tap into fundamental aspects of human cognition,” and kids who are having problems concentrating, analyzing, and understanding academics – and kids who are having anger issues – learn to stay calmer, analyze plots, write stories and more.

British Writers Aren’t Cool With Hollywood’s ‘Pathetic’ Treatment

Part of the problem, award-winning screenwriters say? Directors. “The generally held view is that the director is all-powerful. You never hear a writer mentioned. Hardly ever. They don’t say ‘this is a marvellous film written by’ but ‘this is a wonderful film directed by.’ … There’s nothing you can do to change it, but that’s how the industry is. The director has taken over the whole film world.”

What’s The Point Of Ballet’s Frivolity Right Now, Or Really Ever?

“Ballet abounds in self-contradictions. It continually shows mere mortals becoming works of ideal geometry, and helps us see music in terms of three-dimensional space. It can turn silliness into enchantment, make myth real, or — even in a work of pure dance — make us feel how the sublime coexists with the comic.”

Architect Kulapat Yantrasast Brings ‘A Bold Openness’ To Design Of Marciano Art Foundation

But he’s no starchitect, despite his stylish glasses. “Yantrasast is funny and warm, as intrigued by vernacular culture as he is by high art. During the course of an afternoon interview, he expresses admiration for the choreographies of Pina Bausch and the sculptures of artist Gabriel Orozco. He also stops to admire homegrown modifications on a jalopy Toyota.”

William Brohn, Who Orchestrated Wicked, Miss Saigon, Ragtime And More On Broadway, Has Died At 84

“In ‘Wicked,’ for instance, Mr. Brohn selected woodwinds and harps to convey ‘the swirling girly fantasy’ of the good witch Glinda’s entrance inside a bubble, he told a website dedicated to the musical’s composer, Stephen Schwartz. For ‘I’m Not That Girl,’ which is sung by Elphaba, the green-skinned wicked witch of the West, Mr. Brohn used muted strings, a harp and acoustic guitars to stress its melancholy mood.”

What Made Belgium Such A Powerhouse Source Of Film?

Well, a tax shelter, of course – and an overhaul of that shelter in 2014. “Mandating greater financial transparency, capping the amount outside investors could recoup, and opening the door to further international cooperation beyond the European Union, the reforms broke up what many saw as a creative monopoly, leveling the playing field for all.”

Author: ArtsJournal2